I’ve been missing our more ambitious travels, but at the same time, I am enjoying the day trips that my husband and I have taken recently. Because of the pandemic and the fact that we have two rambunctious kittens at home, we are choosing day trips to scratch our traveling art adventure itches.
James enjoys photographing facades, historic downtowns and other iconic scenes of the places we visit. As I looked through the photos and admire the retro details and colors of these buildings, I wondered how they would look translated into a monotype print. I like it!
The Pine Curtain project is still my priority, but it is nice to have creative options, and to extend our travels a little further.
After a long hiatus, I am reopening my art shop on Etsy October 15! I’ll be exclusively selling monotype prints, including the one above, in a variety of sizes. This art store launch will include ten original pieces, and I’ll do a flash/mini update for Small Business Saturday in November, just in time for the holidays. More regular updates to come in 2021!
For generations of my family in East Texas, life centered around Homer United Methodist Church. It functioned (and still does) as part house of worship, part community hub. Sunday services were of equal importance to potluck suppers, holiday events, and youth group get-togethers as well as volleyball games, dances and other non-religious activities. Regardless of how religious you were or weren’t, whether you were a member or a prospective member, or just there to fellowship – ours was a church that just got everyone together for a good time. It was all part of God’s work.
Those good times bound our community through generations. This print is taken from a photo taken outside the first church building in 1961. In the source photo is my mom and a few of her best friends. She still sees many of them every few weeks at least, and not necessarily at church. Many of my friends and I have the same kind of relationships, which were also cultivated through the church but exist outside its walls. We genuinely liked, and still like each other.
The church sits where the Homer “town square” used to be. So, it has a legacy in East Texas history as a place of excitement and energy. The church seen here was replaced with a more modern building in the later 60s, which is still there. My family lived a few doors down from the church, within walking distance. Or, when I was learning to drive, within driving the riding lawnmower distance!
I’ve wanted to create on bigger canvases for a while now, and made my first 16 x 20 print using a large gel plate. I wasn’t sure how it would go, as I had only printed on paper, and never paper as large as this canvas.
As with my other work, I wanted to keep it loose and a little abstract. I enjoy it when the piece tells me where it’s going. But where was this going? For a while, it was hard to tell. Maybe nowhere good!
I added layers and pattern until I was happy with it. But as I became happier with the flowers, I realized there was still a lot of space to fill. My flowers looked like they were floating in space! Not the look I was going for. And yet, I knew if I wasn’t careful, I would overwork the piece.
I walked away for a few hours, then came back and started to rotate the canvas, something pretty easy to do with these more abstract pieces. I also added some marks, which I admit are not my best work. 😀 But, that’s okay, that’s why we experiment!
I turned it on its side, and found the perfect spot for a vase or pot to go. So, that balances out the painting a bit more, and now I can begin adding the finishing touches and fix the marks that I don’t like as much. This is still a work in progress, for sure.
The lesson here is to look at your art from all angles! I stared at this painting for a while before I realized I could turn the actual canvas. It was that easy to change perspective and find a solution. Especially in more abstract works, don’t forget to use ALL of the tools in your box, even the ones that in hindsight, seem pretty obvious.
Working on a larger piece is fun, and poses new challenges to overcome. My biggest challenges were filling the space, and balancing enough definition to make it look “finished” at that size, while keeping it in my loose style without going too abstract. In general, I like the piece and think it’s a great start. This is more for practice and won’t be for sale, but I plan to have at least three large canvases available when I open my art shop next month.
“Art enables us to find ourselves and lose ourselves at the same time.” ― Thomas Merton , No Man Is an Island
It’s Monday in “Studio No-Name,” and I’m still thinking on what to call my creative space. It won’t be Studio No-Name!
The process of naming my studio makes me think of the saying, “you must name it to claim it.” I have struggled with “claiming” my identity as an artist over the years, for all the reasons that many people do. I’m not conventionally educated. It’s not my primary income. I’m just not “there yet.” It doesn’t feel like “work”. But art is art and artists are artists. I think it’s important to take steps to legitimize the work that we do, whether our pieces are hung in galleries, displayed proudly at Mom’s house or decorating our own spaces. I’m trying to be better at claiming my practice, and so should you! (Even if we’ve never met, if you’re an artist, I suspect that you can relate to this.)
With that in mind, earlier today, I renewed my Texas Visual Arts Association membership and made a spreadsheet for places to submit work to in the next few months. This isn’t something I have done before, and I’m excited to try! It’s not an easy season of life to be an artist, especially an emerging artist, but opportunities are still there.
I have started a series of work that will be ready for sale in October. I closed my store at the beginning of the year, but I miss having it as a goal to work toward. The sales are nice, of course, but so is the self-directed goal of making enough work to post.
Because my Pine Curtain project is so specific, those pieces won’t be for sale, at least not right away. So, that frees my mind to switch to different subject matter and processes for a while. The above abstract floral is one of a few smaller works on paper that will be available, and I am also working, for the first time, on some larger pieces!