I really enjoy these plexiglass prints, because it’s a great exercise in letting go and getting into the process without worrying about the outcome. As you can see, the plate doesn’t look much like the print at all. Part of the fun is filling in the abstract shape with pastels, and even gold leaf! I purposefully don’t try and make it look like what’s on the plate. Instead, I simply go where it leads.
Usually, I get two prints from a plate like this, lightly re-inking after each one as the paint does dry quickly. (I use a mix of block printing inks and acrylics and they both work fine.)
Initially, I had planned to wash and reuse the plates, but I find that I like the effect of the paint/ink on the plexiglass. Plexiglass is pretty inexpensive, so I will just keep it as another art piece.
I’m considering opening up for sales again later this summer. These would be hard to sell as originals because the pastel powder is hard to control, thus hard to ship. But maybe I could work them into an embellished print (fine art print) series. We will see.
I love the look of stained glass, but my overflowing supply cabinet and relatively small studio space tell me now is not the time to learn a new craft! So, I tried painting on *Grafix Dura-Lar to mimic the effect for now.
I’m happy with the way it turned out, and because the Dura-Lar is more portable than a heavy window, I can move the pieces around to different windows, easily make larger pieces or switch them out for seasons, etc!
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I recently discovered the process of incorporating plexiglass into art projects to create a layered look. I tested it out using old hymn sheet music, acrylic paint and gold Pebeo Vitrail stained glass outliner.
I’m happy with the way it turned out and have plans for more of these! The challenge is in finding the best way to frame them, especially if I were to offer them for sale. But creating it is the fun part, and I’m excited to move forward with that!
In my other life, I have an art blog and work in the art sector. This means that I have spent the past few years being practically submerged in the art world, learning about it and how people find, engage with and collect art. I don’t really mix the two streams because I am not looking to be a professional artist in that respect. I am happy to work to help others engage with and discover art, and keep mine just for fun with the occasional transaction.
With that said, sometimes the inspiration does overlap. Particularly when I see a beautiful piece hung on the wall and think how it might work in a different way.
These thoughts have inspired what I call the “Gallerinas.” They’re mixed-media pieces that incorporate fine art pieces as collage, either repurposed or just reused. I take the images from magazines, ads or promotional brochures and cut them up to form new shapes.
Here’s the first “Gallerina.” If you look closely, her dress is a collage of David Park paintings. I saw Park’s retrospective at the Modern Art Museum of Fort Worth earlier this summer and loved it. (It’s up until Sept. 22 if you’re near D/FW or can get here.)