An upside of the social distancing we are experiencing, is that there’s not much to entertain or distract me from my studio. When things get busy, it is one of the first activities to be pushed aside, which makes no sense, because when I am in there, almost immediately, I feel relaxed and productive. I think it’s human nature, or at least American nature, to feel that if something is “fun” than it isn’t work, and if it isn’t work, than it’s not as important as work. Even though I like my actual “work,” I am not immune to that attitude.
Anyway, I’ve been wanting to work with oil paint, but my studio supplies are getting out of control and I don’t want to buy anything new until I work on that. But I have oil sticks, pigment and oil binder. So, I decided to try making my own oil paint from pigment and safflower oil, and with a little oil mixed into oil stick.
There are so many ways that creative work can bring joy and satisfaction. I love being able to experiment with raw materials to make something new. I’m self aware enough to know that I am not the world’s best artist, and that’s okay. My creative satisfaction comes from the act of creating something completely new, whether it’s a piece of art, a rubber print block that I carved and used, or mixing up paint in an new shade or finish. I enjoy breaking things down to their component parts and then rebuilding them into something useful and custom-made.
In this chaos, for me at least, it’s going to be important to look beyond the usual for validation and happiness. Everything from client acquisition and feedback to social media measurement will dip, so those things aren’t accurate metrics right now. My business, like most businesses, will just have to be what it is for a little while, but I can regain some of that validation through my creative work. While I don’t know what life will look like on the other side of this, it really does help to identify healthy and creative things that I can control, and do more of those things while the world works itself out.
There wasn’t sparkly green, antique rose gold or sheer pink iridescent oil paint in my world before I went into the studio yesterday, and now there is. I can see it, mix it, paint with it, and finish the day knowing that I built one small thing that does what it’s supposed to do.
Late last year, I posted about taking a “sabbatical year” to focus on my personal and professional creative work. Whether you call it Murphy’s Law or the universe saying “hold my beer,” my good intentions left the rails almost immediately.
In January alone the cat died, James’ aunt died, James spent a week in Las Vegas with his work and I lost what felt like an entire day in a suburban Chico’s while my mom tried on various “perfect black pants” that all looked exactly the same. We went to East Texas and drove to the beach for a day with my parents. I worked, kept up the house, saw friends when I could, read a bit, watched some TV and then it was February and time to plan my first art tour. And so on, and so on. I felt like I inhaled at the end of December and exhaled sometime in the last week or so.
Great sabbatical mindset, right?
But some things have gone well. I use social media and my mobile devices less and less, which feels better and better. I still don’t pick up my phone or iPad until after I have had coffee and read a bit. That has been nice, and as a bonus, helps navigate and give perspective to the wild news cycles.
I also had time to think about a word for the year, or for the next ten months rather, since it was almost March by the time I got around to it. “Establish.”
Last year’s word was “Forward.” At the start of 2019 I was sitting with a lot of uncertainty over things that weren’t moving as they should, proverbial centers that I knew simply would not hold. So in the trend of picking a theme word for the year, “Forward” was a good touchstone, an idea to make decisions around, and a reminder to take risks and just make the decisions I needed to be somewhere other than I was, and get back to liking my life.
In my last corporate job, I was responsible for building IT processes and setting global business priorities. This involved taking a great deal of data and qualitative input from our markets around the world, accounting for risks and uncertainties, and organizing that information into policies that our entire global ecosystem would agree to participate in and abide by for tasks like bug resolution, feature implementation and new initiatives requests. It was extremely difficult, and I say this as someone who also had to manage a complex, high stakes, multi-vendor, multi-time zone code update around the devaluation of the Belarusian ruble. (Understand why I work in art now? Haha.)
I loved discovering, analyzing and organizing all the information, but some of the other details…not so much.
But I am a framework person, and frameworks help my creative and personal life just as much as they helped my big, messy corporate life. They keep information from overwhelming me and also build in things to look forward to. I can’t predict what positive results will be, but I truly believe that by following healthy habits, positive results will come. And that is exciting.
2019 was so “Forward” that it blew past the finish line and into 2020, I guess. But after a well-earned few weeks to rest and reset, better late than never, I am ready to “Establish.”
Where does this fit into the idea of a sabbatical year? Establishing a solid foundation directly supports the creative, personal and professional goals that I have for 2020. Establishing gives me a concrete, manageable idea to focus on, and a consistent, larger goal when individual priorities compete or become confusing. It is also a logical next step from “Forward.” While I wouldn’t want to pick 2021’s word so early, I am hoping that I’m preparing myself for years to come in which I can launch.
This is the story of the big life of a little cat.
Molly’s life with me began in July 2002, when I had just moved back from New York City to Austin. I wasn’t happy with the move, and thought I’d get myself a cat as a consolation prize.
But before that, in May, I was in New York, walking with a friend who was visiting for the day from New Haven. “David’s cat had kittens!” she said, referring to her boyfriend at home in Austin, an old friend who had and has been in my life since I was 16.
“Is there an orange one?” I asked.
“I’d like to see that kitten!” I said, looking around me and thinking that a furry friend would be just the thing to take the sting out of leaving all the exciting things and opportunities that surrounded me in that moment.
A few weeks later, I left New York, with an orange kitten on my mind. I know what you’re thinking, Molly wasn’t orange! No, she wasn’t! Stay with me.
I moved back to Austin, into an empty one-bedroom with an inflatable mattress, a huge indigo plastic iMac and no other furniture. After a few days of pushing the mattress from room to room to “settle in,” I was ready to pay David a visit.
At the time, David was living a few blocks from UT, with at least one roommate and what seemed like 100 cats who seemed to be everywhere all at once. Big kitten energy, is what I’m saying. I stepped around the rolling balls of fur and teeth, and settled on the couch while David made introductions.
“I’m keeping that one.” He pointed at a sweet, silky white boy kitten with big eyes. “This one has been scratching her ear a lot.” He pointed at a beautiful tabby while I priced ear drops in my head. I looked over at the orange one, the prize I had come for, just as David pointed at him. “I think T-Bone has been pooping under the couch.”
“Hm, way to sell those cats, David.” I thought. He ended up keeping all of them except for Molly, so he probably didn’t actually want to sell them at all. But I had a decision to make.
As I was pondering ear drops vs. the stealth pooper, a friendly calico toddled up to me and raised on her back legs, balancing her paws on my jeans. I looked at her, then David. He had nothing to say.
“Maybe this one,” I said, stroking her soft fur. The other cats weren’t very interested in me, but this cat was immediately. “Definitely this one.”
“I thought I’d name her Tank Girl.” David said.
“Hmm,” I looked at the kitten’s face. “Don’t let him name me Tank Girl!” It seemed to say. She had an “M” marking above her right eyebrow. “How about Molly?”
And that was that. She stayed with David for a few more days while I got her litter box, bowl and starter set of cat toys, then we loaded her up in a boxy green plastic carrier and I drove, as slowly and carefully as I could with the precious cargo, down 24th Street and up MoPac, across 183 and onward to my apartment.
I knew my life had changed. When we got home, I remember unlatching the carrier and sitting on the inflatable mattress waiting for her to come out in her own time. After about 15 minutes, she did. We were home.
The joke was on me, because while Molly never pooped under the couch, she peed everywhere. A bladder condition diagnosis and medicine took care of that, but she never stopped preferring a soft carpet, couch or bed comforter to cushion her paws vs. scratchy litter and a drafty box. I think she was 16 before she was an exclusive box-user. She also pushed her way through my newspapers when I was reading them, knocked stuff off the counters and jumped to and from the highest cabinets in my apartment while I begged her to behave. In other words, she was a Grade A Normal Kitten. One night I couldn’t get her to take her bladder pills, which I would wipe in strawberry cream cheese and stick to my finger, hoping she would just open up and let me put it on her tongue. (Why yes, she was my first indoor cat! Why do you ask?) She became agitated and I had to put her in the bathroom and call David to come help medicate his damn cat. He stopped by an hour later, rolled her up in a towel like a burrito and had her pilled in about two minutes. She did everything but say “Aah” and get a lollipop. She was a stinker.
And by stinker, I mean, she was the best. She loved Bob Marley and other music with a deep, dance hall beat, and music with reedy voices and instruments, like the Dixie Chicks, sent her into a biting, scratching rage her whole life. She wasn’t a lap cat, but she loved being close to her people and spent most of her final weeks snuggled against me while my husband James and I watched The Crown on TV. Molly loved TV time and strangely enough, had the same preferences that we did.
She enjoyed being where the action was, always part of the conversation circle or checking out houseguests’ suitcases, making sure they were all settled in. Until I met James in 2008, it was just Molly and me and a short parade of not-James’s, some who she liked a lot (the small-town vegan) and others who made her hiss and leap sideways (information withheld because, well, let’s just say Molly often picked up on things that I didn’t.) We spent a lot of time by ourselves. In the early days, I was a newspaper reporter and worked odd hours. Most nights, I’d unwind with her by watching some late-night Cheaters TV and enjoying International Delight coffees. (Remember, I was 26, it was 2002 and “coffee culture” was years away, as were the good cable channels.) Sometimes I’d be home so late, and so tired that I could only hold out the feather stick limply while she jumped at it, desperate for playtime after being home alone all day while I chased down stories about mercury in the local fishing lake and small town petty shit.
I talked to her all the time. I said, “please move,” when she blocked my path to bully me for treats. “Excuse me,” when I brushed past her reaching for the remote. “Thank you, Molly,” when she obeyed a request (there were never really any commands in our dynamic) or gave me kitty kisses. She heard so many stories and so much dirt on so many people. I’d like to think she was as shocked and appalled as I was when people misbehaved or there was drama to share.
Because of this, she was very in tune with people. “She understands tone!” I’d later say to James, who seemed to buy it but I’m not so sure. But she did understand! James likes to remind me that Molly’s brain was the size of a walnut, but it must have been all empathy.
When a friend who had just lost her father was crying at my kitchen table, Molly was there with knee pats and purrs. When I lost a close friend to suicide in 2007, she barely left my side for the months that it took me to get through a day without losing it. When James lost his dad, Molly was right there with us on the couch working through it as a family.
We went on like this for almost 18 years, Molly and me, and beginning in 2010, Molly, James and me. I have so many stories, and to tell them all would be to write a book. She was my best friend. When I looked at her, I knew the world was right. The night before my wedding, I opted out of staying at a hotel so that I could spend the night at home with Molly. One of James’ and my wedding debates was what tier of the cake Molly’s figurine should go on. (I won. She was placed on the top tier with us. I mean, where else would she be?) When we moved in 2018, we had to leave her in the old apartment bathroom all day while the movers did their thing. We freed her around 10:30 that night and drove through Whataburger, the cat carrier on my lap like a puzzle piece. When she first got sick and we knew the end was coming, I’d wake up in the night and see the silhouette of her ears in the dark, right where they were supposed to be. “What happens without this?” I thought.
Molly was, for a long time, the very best thing in my life. Until I met James and had two best things. And she was the most constant thing in what was a very transient and not always great life. Because of my newspaper career, we moved four times in the first three years alone. We did not always have consistency in income or a stable place to plan the future from. Most of my close friends live elsewhere, so Molly was my only steady companion for most of our years together, and you can probably get an idea of my dating life from the “made the cat hop sideways” anecdote above. (But nobody mistreated Molly! Not only would that have been an instant dealbreaker, she was universally beloved even by those who she herself could take or leave.)
What was life going to look like without that stabilizing influence, being able to see, interact and care for a companion who had filled that role for 17 years. That is such a long time! Molly’s social media presence predates even MySpace by many years! She was an early Friendster adopter. When she was tiny I put her photo on RateMyKitten but then deleted it when someone said it looked like she was wearing makeup. It weirded me out for some reason. But, Molly was totally Generation Z, a Digital Native by Gen X proxy.
My friends started having babies right after I got Molly. She was the oldest. As the years flew, I couldn’t help but compare their ages, and wonder what human Molly would be doing. The ages came and went where she could drive, vote, buy cigarettes, start high school. I don’t have kids, by choice, but it was still an interesting thought exercise.
But a cat is not a person. Adopting a cat, as James liked to remind me, is both a promise made to a kitten and accepting a small tragedy. I knew that it was highly unlikely that Molly would outlive us, and still I hoped. With each birthday, I thought maybe she’d live a long time and be not just old, but really, really old. A Guinness World Record of a cat. But without old cat health problems, because I wanted her to always feel good.
She felt “good” until about three weeks before she died, and I’m grateful for that. There are so many things I’m grateful for. Her facial tumor made her look like she had a jaw full of chewing tobacco, but didn’t hurt her. She was mobile and playing, albeit with some painkiller help, until the morning we said goodbye. The only time she really slowed down was in the final week, between Christmas and New Year, and that just meant that she spent most of her time in one of a warren of Christmas package boxes we had set up in our breakfast nook. We learned to read the boxes. The big one meant she was feeling okay. The medium-sized box on its side meant she wanted to rest but also see the world. The tiny Target box with tissue paper still in it meant “My painkillers are wearing off. Pretend you don’t see me until I can have another one.”
On the last night of her 17 years and nine months, she watched The Crown finale on the couch with us, played with Christmas Tree branches, gave her rolling ball toy a few hearty whacks and went to sleep after a healthy dose of painkillers melted into a Brothful. (Aside – did you know there’s a whole product industry based around soup for cats?!) The next morning, James woke up, gave her heart pills, breakfast, treats and medicated eye wash, then took his shower. Molly made a normal lap through the bedroom where I was, then suddenly broke in to a panicked run all the way to the closet in my art studio and hid in the far corner of the farthest closet. Molly was old, sore and had not run for anything in probably a year. Something obviously awful and bad and non-salvageable had happened.
In the last few weeks of her life, when we chilled on the couch, I’d ask “Molly, is it time?” and give her a good, clear look to see if I could tell. Because, for as long and as much as Molly and I “talked,” she was a cat and could not really talk. I knew she loved her life and wanted to keep it, and I also knew that James and I would have to understand what her limits were so not to prolong the inevitable. Usually, she’d just kind of look at me and go back to TV or bathing herself or whatever it was that she was doing. She was trucking along. Tank Girl until the end.
But that morning, Jan. 2, I didn’t have to ask. At that point, we had to force a radical shift in our perspective from “Molly, our friend and family member” to “Molly, who is a terminally ill animal and just wants to not hurt.” We called our vet, and took her in immediately. After our vet confirmed our suspicions that Molly wouldn’t recover from her cancer-related injury, we, as a team, decided to let her go.
My strongest memory of that day is when the vet brought her back from the staff exam room, a little tranquilized and buzzed but not asleep yet. They had wrapped Molly in a pink blanket like a little baby. Molly was alert, ears up and scanning the room for James and me. When she saw us and was placed on the table, we had a few precious, priceless moments with her to give kisses, head butts and “I love you’s” before she started to slip into sedation for the next step. I honestly don’t remember much after that, only that leaving the vet’s office without her cat carrier, which we donated to the clinic, was the weirdest and one of the hardest things I have ever experienced. It was like leaving your wallet on the bus, if your wallet had your 17-year old cat in it and you’ll never get it back.
This is the story of Molly, but as with all stories, there is more to it.
James and I were visiting David this past weekend. Molly’s mom and siblings (ear drops and the couch pooper, aka Lucy and T-Bone) had passed in spring of 2019 and beautiful Mad Dog had crossed the bridge years earlier. It was the first time in nearly 18 years that I’d see David and not have cats in common to talk about. So, we spent a happy couple of hours talking about the cats we used to have.
“You know the story, right?” He asked. I did, but I wanted to hear it again.
Turns out, I didn’t know the whole story.
Molly’s mom Ella was a stray who David took in. There was a medical delay in getting her fixed, and between the first time she went in and the time he took her back for the surgery, she snuck out a bathroom window and went on a little Rumspringa. When the vet saw her again, she was pregnant with kittens.
Molly’s story, and the story of her siblings runs on such a thin margin that it is nearly cosmic. There are so many scenarios where Molly would not have been with me. I reconnected with David in the late 1990s, through a situation that wasn’t great, but having Molly come from it made the chaos completely worth it. If I hadn’t spent the day in New York with Audrey, who happened to mention David’s cats. If T-Bone hadn’t been in a sneaky pooping phase. If Ella hadn’t escaped, or if she had been fixed at that first appointment. If Molly hadn’t so obviously made herself known at the kitten-choosing night.
I would have missed so much and never even known it. I know I would have probably found another cat, and a different joy, but it would not have been this joy. I love my life with Molly, all the ups and downs, both of our bad behavior, the expense and responsibility that comes with pet ownership, everything. Even the end of it that was so scary and consuming with the medicine and her encroaching, very obvious tumor and eye issues that I assured her just made her look more interesting.
At the beginning of this story, I said that I thought a kitten would be a consolation prize, a second place compromise between a life in New York that I so badly wanted and the life I was expected to lead. It shames me to write that now. How wrong I was. Consolation prize? She was the blue ribbon of my whole entire life. Aside from my marriage, which didn’t happen until 2012, she was the first and only thing that was ever truly mine, the first unconditional love I ever experienced in either direction. We figured the whole pet ownership thing out together and I didn’t always get it right, but I know she loved me in whatever ways a cat can love and she inspired me to do my best for her. A night or two before she died, we were relaxing on the couch and I scratched her head. She looked at me as a geriatric cat with a lopsided face and bad eye, but I could clearly see love, or something like it in her face. I felt strongly then, that even if she wasn’t ready to go at that time, that when she did go, that our lives together really had been everything to each other, and to James, that they were supposed to be. That it was okay for this chapter of our story together to end.
In my last post, I wrote about being on a Rickie Lee Jones kick. This coincided with Molly’s final weeks around the end of the year, so Molly got to enjoy it, too. When I hear “The Horses” now, I think of Molly and for now it makes me sad, although I know it won’t always.
I am pretty positive “The Horses” wasn’t written for a dying cat, but that’s how I see it. I think of the Pegasus and Equuleus constellations and how Molly is in the stars now, riding the horses in the sky. In my mind, I see her leaping from star to star, playing as free and easy as she did in the early days when she leapt from my countertop to the top kitchen cabinet and back down to the side table. Maybe we all come from the stars and go back to them. It’s not for me to know. I do know that the beauty and promise of wherever Molly is, is that she’ll never fall again. But I hope she still knows in her heart, or whatever source of light that is left and is still her, that I”ll be here to pick her up until it is my turn to meet her there.
While I haven’t written a Pine Curtain Storyin a while, they’re always on my mind, waiting for the right time and way to be told. I know they’ll be back soon. I think about those stories all the time. Not because I’m living in the past or wish to (no thanks!) but because I feel they’re important and timeless; both the smaller focus on my friends and I, and the larger focus on what it meant and still means to have been a teenage girl in a specific time and place.
Like any good daydreamer, I have a list of songs that I would choose for a soundtrack to my future Pine Curtain movie. It evolves, but it’s mostly eighties and early nineties alt-rock. The latest addition is Rickie Lee Jones’ “Satellites,” which to me perfectly describes the relationships in Pine Curtain Stories.
“So you keep talking in many languages/ Telling us the way you feel…”
When we were younger we had so many creative “languages” to communicate in – folded notes, made up stories, prank calls and other outward expressions, even collages and cartoons and of course, the treasured mix tape. If we could think of a way to express an emotion or idea, we did, even if it was weird, risky or poorly-executed.
And that goes away.
Now there are text messages, emails, social media…meetups and video calls and viral videos…and all of those things are clinical and ultimately dilute the message for the sender and the receiver.
And yet, we are satellites. Some of us are in touch more than others and we are all busy and scattered, at the same time we are bound by those years we spent together. I can think of something that happened in 1991 and immediately feel exactly how I felt then, and remember who was there and what their voices sounded like and what style of clothing they were wearing. If it was nighttime, I can hear the cicadas or wind blowing through the pine trees. I can remember what was playing on the stereo and the sound of car wheels on gravel when we pulled over to socialize on the nights we cruised endlessly between the local mall on one side of town and the Sonic drive-in on the other side.
Satellites homing in on a shared constant.
I wish there were more songs that brought to mind early friendships. Most of the songs on my “future soundtrack” are pretty angsty or about boys. But as the heroes of these stories, we need an anthem just for us. This is a strong contender.
“What we call the beginning is often the end. And to make an end is to make a beginning. The end is where we start from.”
After a nice Christmas and New Year’s Day, by ten a.m. on January 2, I was at the veterinarian’s office saying goodbye to my 17-year-old cat, Molly. Diagnosed with osteosarcomain August and mostly stable, her final weeks, while treasured, were helped along by painkillers, and balanced an increasingly volatile situation as her tumor spread along her cheekbone and toward her ears, mouth and eyes. Thursday was the day. I would never have been ready to let her go, but it was clearly not a moment too soon. I was grateful that it didn’t appear to be delayed into constant pain, either. Cosmic timing in many ways. As we say, 17 great years and one bad morning.
My acute grief and forever love for Molly is its own thing and needs its own post when I am better equipped to write it. But today Molly’s journey and the changing of the years made me think of the T.S. Eliot quote written above. Every end a beginning. How hopeful that is!
For me, new beginnings mean things like taking time to set healthier habits now that I am no longer needing to care for Molly in such consuming ways. I miss my old routine so much, even the dreaded eye drops that I know Molly doesn’t miss at all. (To be fair, she got the short end of that stick.) My heart breaks a little when I wake up in the morning and she’s not crunching from the pile of treats my husband gave her before his shower (we were definitely in cat spoiling mode!), or running to me for her morning brushes. While I never want to lose those memories, I am trying to make a new routine by reading from a book between the time I wake up until James leaves for work and beginning my own work day, filling my “Molly time” with something relaxing vs. opening my laptop or clicking around aimlessly online, or thinking about what I have lost. Every end a beginning.
My husband has his own changes to make and goals he wants to reach now that his routine is different. He had “night duty” with Molly because he naturally stays up later, but that often meant a few extra chores before he could relax and sleep. He’s working to channel that found rest and energy into his physical health.
Our theory is that things are different anyway. Everything from our routines to the way our house looks and sounds. (Who knew the absence of a tiny cat and her thousand toys could cause a house to echo?) Why not guide those changes for good, to the extent we can? Every end a beginning.
One day, we will be ready to open our hearts to a new kitty or two, and by that time it can make its own, beloved, precious place in our lives, not simply fill the Molly-shaped hole that is so deep now. Every end a beginning.
We can’t control much about the endings in our lives, but we can control where and how we start from. That’s the lesson that I take from this sad start to a new year that still has a lot of potential and joy to be discovered.
In August, on the day that Molly was diagnosed, I sat on the couch and carved a rubber block while she rested in her carrier and slept off her X-Ray tranquilizer. The repetitive motion of the carving helped keep my hands busy while my mind was moving in a lot of new and confusing directions. It was a fun little piece then, and now, I love it not only because it features my favorite subject, but because it reminds me of the beginning of this journey, of Molly’s victory lap. How rich and rewarding and challenging the months in between have been, and how at the end of it, Molly still shines and so do we.
Every end a beginning. Every darkness an opportunity for light. MollyPop, my “Muse who Mews,” inspiring me even now.
This year, I was lucky enough to travel all around the country seeing interesting and beautiful art…and call it work! Before I leave 2019 behind, I wanted to share my favorite art discoveries of the year, in no particular order.
Jeffrey Gibson : I know I said “no particular order,” but finding this artist easily tops my art discoveries of 2019. I first saw his work at the Whitney Biennial, and then was able to see his “This is the Day” exhibition in Austin. Gibson’s work is just gorgeous, and he incorporates his Native American heritage into every piece in a way that is both interesting and clear while also making you think.
Tomashi Jackson : I saw Jackson’s work at the Whitney Biennial as well, and have been (im)patiently waiting to see more of it ever since. Her work is very interesting, with a lot of thought, depth and skill layered into the pieces. Viewing the Whitney pieces was like looking into a scrapbook – so much story and narrative.
Lincoln Gallery : Smithsonian American Art Museum | Washington, DC : This wasn’t my first visit to this museum, but I hadn’t seen this gallery before. It was definitely a “Where have you been all my life?” moment. From new/digital media pieces by Jenny Holzer and Naim June Paik to vibrant Mickalene Thomas and Kerry James Marshall paintings and a large installation by David Hockney, it really represented the best of America’s best.
Glenstone | Potomac, MD : This experience felt very exclusive, but is completely accessible. Free to the public but involving a bit of transportation finagling, Glenstone’s grounds and art pavilions feel almost otherworldly, especially when some of the first things you experience are Jeff Koons’ “Split-Rocker” rising to greet you from a distant pasture, and “Forest (for a thousand years…)” a sound installation by Janet Cardiff and George Bures Miller, booming through the trees at regular intervals.
“Dior: From Paris to the World” , Dallas Museum of Art | Dallas, TX: The exhibit itself was great, but what really shone was the exhibition design. It was so well done, and really made me think about how presentation does or doesn’t work in other exhibits. It’s easy to assume that art speaks for itself, and it mostly does, but when exhibition planners go that extra mile, it has a huge impact on visitor experience.
Blanton Museum of Art | Austin: The Blanton has been in the spotlight in recent years for its permanent Ellsworth Kelly “Austin” installation piece. But if you only see that piece, you’re truly missing out. The Blanton has had some of my favorite traveling exhibitions (Jeffrey Gibson’s “This is the Day” and 2018’s “Making Africa: A Continent of Contemporary Design”) and its permanent collection is really fantastic. The museum is large, and contains works by Yayoi Kusama, a comprehensive selection of Latin American art, and a very cool portrait of Madame C.J. Walker, made of hair combs, by Sonya Clark.
Houston Art Scene : Houston is close to Dallas, and even closer to my hometown. But it was still a pleasant surprise to visit for a weekend and see so much going on in its art communities. We went for the Van Gogh exhibition at the MFAH, and while we were there, we were able to experience James Turrell’s “Twilight Epiphany” Skyspace on the Rice University campus, the MFAH sculpture garden and Anish Kapoor’s “Cloud Column,” and there are so many things that we didn’t have time for, that we must go back and see.
Valley House Gallery & Sculpture Garden | Dallas : This gallery is a few miles from our house, an oasis in the middle of North Dallas. We were first introduced to it at this year’s Dallas Art Fair, and visited shortly after. Its staff is friendly, and its exhibitions are interesting and diverse, with many pieces made using techniques I hadn’t seen before, and inspiring my own artistic process. And one of the best things about it is the sculpture garden and pond behind the owner’s residence. (The garden isn’t always open – look for a sign, or simply ask.)
Amon Carter Museum of American Art | Fort Worth: A long-time favorite of ours, the Amon Carter got a refresh this year and it is even better than ever! The upgrade better-highlights the Carter’s contemporary art collection, and gives polish and deeper context to some of its pieces around the American West. When we went, its main exhibition was of Gordon Parks photos, which in itself was a 2019 highlight because of the talent, subject matter, and Parks’ groundbreaking position as a successful black photojournalist in and around the Civil Rights Era. Its Gabriel Dawe and Justin Favela installations are also crowd pleasers.
“Slumgullion (The Venerate Outpost)” by Karl Unnasch, Philbrook Museum of Art | Tulsa, OK : Made entirely from reclaimed materials, including colored glass objects and lamps, t-shirts and the skeleton of a late-1800s pioneer home, Slumgullion is a log cabin installation at the back of Phibrook’s fairy tale gardens, which makes it seem even more magical. Philbrook is doing all kinds of interesting and innovative things lately. Can’t wait to see what it brings in 2020! (And if its’ Instagram hinting is any indication, we are in for something – maybe thirty somethings – very cool!)
Believe it or not, this is not all of the amazing art I saw in 2019! I actually did narrow it down a lot, which wasn’t easy.
If you see something interesting in this list, I hope you will bookmark it, research further, and let it inspire your own artwork, art travels or creative thinking!
When the word sabbatical started to creep into my thoughts, I didn’t realize it was related to the number seven, and also to the sabbath, but it makes perfect sense now. It’s right there in the name.
The number seven isn’t significant to me at this time, but the idea of a sabbatical, a rest, is calling me. But, like many other people, I can’t take a real sabbatical. I am self-employed, so I need to work (plus, I enjoy my work and would miss it!) and I have other obligations that I must consider as well.
I have a friend who is a big proponent of “think trips,” the idea of taking some time to oneself, usually annually, to reflect, rest and plan. I have done a few “think weekends,” adapted to my own schedule, budget and other priorities, and have found them quite helpful.
With that in mind, I wondered if a “sabbatical lite” might not be helpful as well? Just for a year, 2020-2021, and nothing too restrictive or intense. What would it look like? How might I integrate it into my day-to-day responsibilities, prioritized in a way that is effective and lasting?
It would look different for everyone, but for me, it means identifying three non-negotiable pieces to keep (growing professionally, being a good partner to my husband and generally, being a good friend, family member and citizen.) I also chose three goals to focus on (creative work, entrepreneurship and mental health.)
How to balance those responsibilities and goals? What does success look like? What are the best steps to take? I don’t have those answers right now. I suppose that’s where the sabbatical comes in!
So, we will see!
I do feel that for me, personally the answers will be come clearer and my stress points will get stronger through creative exploration, reading and travel/new experiences. Saying “no, thank you” more often and setting firmer boundaries on my time and other external expectations.
You may notice that my newsletter sign-up has disappeared, along with my newsletter itself. That is part of this journey. I needed to look at where my time was going, and eliminate things that felt redundant. So, I may bring back the newsletter at some point, but here’s where I’ll be writing and posting art for the foreseeable future.
I’m also closing up my personal Etsy shop for the year, with the possible exception of some temporary “drops.” (You can “Favorite” my shop on Etsy to keep informed.) I’ll also take on the occasional custom request. I feel pulled in new and different directions of making art, and this sabbatical is, in part, time to explore that.
A few months ago, when I was researching for the next iteration of my business, a peer said to me “I felt I had a blank slate.” Their circumstances are different from mine, but we are both women in our forties who had to leave corporate America for a bit and had trouble getting back in. She now has a fun, successful and interesting professional life that she would never have predicted. I realized then, that I also have a blank slate and that maybe it’s a gift.
So, I’ll be processing a lot through writing, here. Weekly, semi-monthly, I’m not sure yet what it looks like. But I suspect a lot of people, particularly people like me who really can’t pack it all in and move to Iceland for a year on a “real” sabbatical would be helped by, and interested in the journey. Maybe you also have a blank slate or at least an opportunity to evolve, an maybe it can be fun.
“And the point is, to live everything. Live the questions now. Perhaps you will then gradually, without noticing it, live along some distant day into the answer.”