Looking for Our Names

We were never afraid of cemeteries. In rural East Texas, they were often tucked into curves in the road near our houses, set against our properties’ back pastures and in other ways integrated into our daily lives as just somewhere else to be. The cemetery, while always a place of respect and to be treated as such, was also place to walk safely, to contemplate quietly, to “visit Grandma” and in our older and more mischievous years, to pass through on hayrides, and to park in and kiss boys. Now, I don’t like them after dark, but back then it felt normal to be there.

Our town’s biggest cemetery was just on its edge, past the local community college and in between the “ritzy” neighborhood and the evangelical campgrounds. It was alongside a major highway, and spread across many acres. I wouldn’t be surprised if it was larger than any of our city parks. It was certainly nicer and safer.

Late at night, we would visit this big cemetery, park our car, and walk. Reverent, careful to stay on the footpaths, we would scan the headstones as we talked. “Looking for Our Names,” we called it.

It was 1990-something and “Michelle” and I, with our friends “Renee'” and “Mallory” had just discovered The Smiths, particularly their “The Queen is Dead” release. We wore out those tapes in our cars: “There is a Light That Never Goes Out”, “Boy With a Thorn in His Side,” and “Cemetery Gates,” among other tracks.

We were fairly privileged teenagers – middle class, stable families, no real barriers and no real experience with the malaise that Morrissey sang about.

But, by the time we were 16, we had already started losing young people – classmates and church friends and peers from other schools in our area. Just as cemeteries themselves were integrated into the fabric of our lives, so was the circle of life itself.

As we “looked for our names” we sometimes encountered the accidents, overdoses and suicides who had once sat beside us in Algebra class.

I’m pretty sure that “Cemetery Gates” was the theme song behind this activity, but now I think a more accurate soundtrack would be “There is a Light That Never Goes Out.”

Looking back as an adult, I wonder if our seemingly-cavalier relationship with graveyards, through this activity and others, was a way to normalize what was happening around us each year. Or if it underscored how normal it felt to be in such a place. I’m not sure that we lost more peers than other school districts, but our world was a lot smaller. Regardless of how well we knew the person, we did know them, almost every single one. There was a very defined hole in our daily lives after each midnight phone call. And back then, I don’t remember any special counselors, after-school vigils or anything like that. We went to the funerals, hugged grieving parents and siblings, and were released back into our routines to figure it out on our own.

There is a light and it never goes out.

When I think of Michelle, Mallory, Renee’ and myself, I think of us at that age, almost exclusively even though I am still in touch with most of them and am fully aware that they’ve aged as I have. (And by that, I mean with strength, grace and beauty of course.)

There is a light and it never goes out.

My lost peers, acquaintances and friends, too are in perpetual youth. We’ve outlived them by so many years. What would their lives be like? When we were still in the “same timeline” it wasn’t something we really thought about. Now, looking back over 25+ years that not everyone got to have, seeing my friends’ children approach the ages etched on some of those headstones, it brings a greater depth and a profound sadness.

There is a light and it never goes out.

Our relationships with cemeteries may seem strange, or even disrespectful to some. But there was also a message in the familiarity. It said “we remember you,” “we aren’t afraid,” “we can still be where you are.” It said, “don’t be lonely.”

It said, “one day, our names will be here, or somewhere like here. But for now we are as alive as we will ever be, and in this moment, within this light of memory and shadow of loss, so are you.”

*This was a story I really wanted to get right, so I had a few versions of the art. While the top piece is my top choice, I liked this little messy one, too:

Vintage Children’s Books

I collect children’s books and had a bright idea to get some inexpensive ones to cut up in use in my collages. But, who am I kidding. I cannot take a pair of scissors to a book, regardless of the purpose! So, after a trip to Half Price Books last week, I have a few more books for my collection.

“Up and Down the Merry Go Round,” by Bill Martin, Jr. and John Archambault. I love the watercolor look of Ted Rand’s illustrations.

Hard to go wrong with the Beatrix Potter and Quentin Blake combo. “Kitty-in-Boots.”

I love the red, white and blue limited color palette here in “New at the Zoo,” by Peter Lippman. I also want to immediately run out and get a curly-haired dog to name Joshua.

“A Nose for Trouble.” I loved these Golden Scratch ‘n Sniff books and probably have this at my parents’ house somewhere. (We are not a family that parts with our books!) But I didn’t have it at my house, and now I do. Clara kind of reminds me of Molly but looks more like Stinky, the family cat (RIP.) But, she didn’t have a nose for trouble as much as she had a bias toward fury and an appetite for blood. In other words, she was pretty great. Anyway, the sniff stickers have held up surprisingly well in this book, and I’m enjoying being transported not only into the mischievous Clara’s world, but back to my childhood bedroom. I think one reason I loved this book is because like Clara, I could walk out the door and disappear into an exciting world of lilac bushes, tangles of violet and mint, and candy at the home of a friend (where, as everyone knows candy is always sweetest.)

Love Hurts

Do young people have social dances any more? I don’t have kids, so I honestly don’t know. But before cell phones, texting, social media – all the things that make it easy to plan for yourselves and/or socialize without leaving home, the dance floor was THE place to be. My church hosted one every few months, and in between, there were school dances, Teen Nights at grown-up clubs, dance parties at the Episcopal church…we were dancing nearly every weekend. We definitely could not relate to the anti-dance histrionics of “Footloose,” because our parents knew that if we were all thrown together in one room, a chaperone in every corner, a few stationed along the walls, and one weaving through the crowd to move errant hands, then a dance was the safest place in town.

As I have mentioned before, my social group was largely unchanged from kindergarten on up. I made other friends at school through the years who I loved just as much, but as far as Saturday nights went, I was with the same ten kids, give or take a few for disciplinary groundings, etc. So that’s who became our dance partners.

Our parents: “Tired of seeing this kid? Too bad, you’re dancing with him. No, there are no other options. This one’s a known entity. You can dance with him or you can sit down over there.” More or less.

Anyway, the pickings were slim. There was a group of nerds who clustered together and did the “California Raisin” dance to every song, and there was my mortal enemy who spent ages 6 to 35 trying to take me out, Wile E. Coyote vs. Road Runner style.

So that left “Eric.” He was taller than me, which was a plus. Good-looking, but I didn’t “like” – him – like -him, so there wasn’t any hormonal weirdness to contend with. He wasn’t caught up in the raisin dance and he wasn’t trying to throw dynamite at me. A catch! And an easy, low stakes dance partner.

But off the dance floor, things were harder for Eric and me. He was a part of the cool group, and I was in a… different group. I had it bad for his best friend, who thought I was an irritant at best and treated me accordingly. So, Eric was my friend away from school, and in school, he was something else. Meaner. Sharper.

But for some reason, at the time, that was okay. I didn’t know any better, and accepted it as the way things were. After all, if “Wile E. Coyote” could destroy my belongings, hurt me and be invited back over to do it some more, then what Eric did was nothing.

Anyway, I loved him. I still do.

After the drama of high school, we settled in to an easier, more friendly rapport.

But as some of us went on with our lives, learned about the larger world, made other friends and got a better sense of how relationships worked, Eric stayed the same. The last time Courtney and I saw him together, he took us to see where his trailer had burned down. He’d lost everything in an electrical fire, and was living in a half-finished shed behind his parents’ house. He did okay for a while. Proximity to his family was a good thing.

I saw Eric once more after that, in the late 90s. He was the last person I dropped off after a night out, and invited me to stay and catch up a little longer.

We sat in his parents’ garage into the wee hours, talking, smoking cigarettes, listening to the radio. Sometime just before sunrise, “Love Hurts” by Nazareth came on. Eric stood up and extended his hand to me. My old dance partner and I shared one last song, slow and even then, bittersweet.

In 2013 a friendly acquaintance and the object of many a schoolgirl crush was arrested on live TV, tackled to the ground in his driveway, charged and convicted with trafficking exploitative images of minors. We couldn’t believe it! Him? He was so nice! His family was great! You think you know someone.

Within a year, in a separate case Eric would be arrested, charged and convicted for a similar crime. Unless something changes, we will be in our sixties when he’s released.

When he was sentenced, I went down an internet rabbit hole and found five other familiar names in his prison system, for the same type of thing.

Maybe we don’t really know anyone.

It was hard to absorb. Even with all of his challenges and volatility, we always felt safe with Eric, at all hours of the night and in all situations. He had never laid a non-consensual hand on us in violence or otherwise. Maybe other young women had different experiences. I don’t know. I believe victims.

I won’t speculate on guilt or innocence because Eric was tried and convicted by a jury whose job was to do that. I’m not going to describe what he did or ascribe motive, because it’s not my story to tell. To say more would be disrespectful to his victim and the families involved.

But I can tell you what it did to me.

When you’re fourteen and someone says “this is your friend. This is your dance partner.” You don’t question it. “This is my friend,” you think. Once before a duet at church, Eric shared that his bestie had called me a “butt ugly b*tch.” (I was no such thing, not that it matters.) I bounced a peppermint candy off of his face, then we went on stage and sang our song. Beautifully. “This is your friend,” I had been told, my whole life. The implication was “Forgive him. Love him.” So that’s what I did.

I assumed that was just how it was, with certain types of friends.

My in-laws live in Houston, and when we drive there from Dallas, we pass the state penitentiary. I “wave” to Eric every time. Maybe that seems flip, but I don’t mean it to be. My husband doesn’t get it. How could he?

Every now and then, I think of sending a letter. Eric’s brother died by suicide when we were in junior high, the first domino to fall in many ways, for both of us. For years, Eric and I would leave notes on “Charlie’s” grave for the other to find. I’m not sure why, or how it started, or even if it was appropriate. But Eric and I had always found a way to communicate. It’s too hard now. I know my husband wouldn’t like it, and what would I even say? Even in offering love and friendship, I can’t absolve, which is different than forgiving. I certainly can’t forget and I know I can’t be part of Eric’s life anymore in any real way. It’s not just one thing. It’s all of it.

Looking back on the situation, I try to connect the dots to see if the way he treated me had anything to do with his choices as an adult. I’m sure there is some commonality, in terms of respect for women, respect for boundaries and the lack of consequences in our fairly insular culture, but I know that it’s more complicated than that, too because not every bully grows up to break the law.

All this to say: Love hurts? It’s not supposed to, not really. If someone’s not your friend in all situations then they’re not your friend. If someone punches your boyfriend, it’s like they’re punching you, and they know that. I know that now, too. Love them anyway and forgive them, but only if you feel like it. Set better boundaries. Put the best of your love somewhere else. Life is long and bigger than your dance floor. YOU choose your partners. There’s plenty of people out there happy to break your heart, in ways you can’t even imagine. You don’t have to break your own.

*I struggled a lot with whether or not to write this. I still am in touch with Eric’s family who are wonderful people and have been dealt an unfair hand. And as I mentioned, I still love Eric. But at the end of the day, he chose to do these things and it’s public record. I’m not speculating, editorializing or really adding anything new to the story. It helped me to write about it, and maybe it will help others who are in complicated situations, to know they’re not alone. Names have been changed, details lightly fictionalized.

Summer

“Wading” by Stephanie Khattak. IPad Pro and Apple Pencil in Procreate. Animated in Photoshop.

East Texas is hot as sticky as a swamp. Thankfully, it’s also full of places to swim if you’re not too picky. We’d mix it up each summer spending most of our time at Boykin Springs, with Lake Tejas and the occasional drive to the Bolivar Peninsula or Galveston. Mud, silt or sand under our feet, seaweed and in those days, the mud puddle that was the Gulf of Mexico. Watching braver kids cannonball off of high dives. Burning to blisters. Wishing it would last forever.

Some Bunny Loved You

“Some Bunnies Loved You.” By Stephanie Khattak, watercolor and custom gouache. 2019.

Think of the most embarrassing thing you did to get in front of someone you liked. “Liked,” I mean. Wanted to date. This thing you are thinking of – this act of bravery or creativity or a wild burst of assertiveness – I guarantee that I can top it.

Take, for example, Easter 1993. I was 16. My best friend, let’s call her Courtney, had just turned 18, and we had spent a busy Saturday being bunnies at our church Easter Egg Hunt. Our outfits were billowy onesies, cut from thick polyester and sack-like, with full hoods and wonky ears that gave us a slightly “off” appearance, similar to that kid in Pinocchio who turns into a jackass bit by bit.

I suppose spending the afternoon surrounded by old people who told us how cute we were went to our heads, because after the last Peeps-sticky kid was ejected from our laps, we decided that the thing to do, while we were still in these RAD costumes, was to pay surprise visits to all the boys we liked.

We efficiently combined a trip to the grocery store for chocolates with a pop-in on one guy who bagged groceries at the local Albertson’s. “Hi!” We smiled and waved our thick, rough mittens, bopping our baggy bunny tails to the Easter Candy aisle without one iota of self awareness.

At the next stop, a dog snarled and lunged at us, attempting to protect its maybe sleepy, maybe stoned master from the giant donkey-bunnies who appeared from thin air and wouldn’t lay off the doorbell. On our last stop, the young man’s parents were home and his mom thought we were really something special, even if our intended took his chocolate, rolled his eyes at us and went back to watching MTV.

It is an understatement to say that in those days, we didn’t know nothin’ about nothin’. We had big ideas, strength in numbers and no one to save us from ourselves, probably because they wanted to see how things would play out and be entertained by it. The way things played out in this instance, unsurprisingly, was that we were hot and sweaty and out $25 for Easter candy that we didn’t get to enjoy. None of those people wanted to date us, before or after. With the wisdom of age, it’s totally fine. Life ended up like it was supposed to for Courtney and me.

But back then, we had so much love to give, and it needed to go somewhere. So we did the best, and in some ways the only thing we knew to do at the time. We gave it away, not once stopping to consider whether or not our gifts were deserved. We just wrapped up all that love in homemade rabbit suits and took it into town with the great hope that someone would see through our goofy disguises to our sweet, terrified, baby animal hearts and love us back.

“I change shapes just to hide in this place, but I’m still, I’m still an animal. Nobody knows when I slip, yeah I slip, but I’m still, I’m still an animal.” -Animal, Miike Snow.

In My Room

“After Curfew” Stephanie Khattak. Ipad and Apple Pencil. Animated with Photoshop.

My story begins, like many teenage girls’, in the hours between midnight and sunrise, aka, when you have to be home after curfew, but you’re not sleepy, so you retreat to your room with your books and your stuff, and if you’re lucky, a phone line. And if you’re very lucky, or if your uncle works for the phone company, like mine did, you have a private phone number and answering machine. After we shut the door and said goodnight to our parents, it was time for Act 2.

If no one was spending the night (rare!) I would read, or write stories or letters to my pen pals. Eventually the phone would ring or I’d call someone who had likely been doing the same, and just as likely had been out with me an hour earlier.

My friends and I were prolific writers and creative thinkers. We passed notes all day long. My best friend went to a different school, so we’d write notes and stockpile them, and trade the stacks at church on Sunday. We wrote about everything, folded up the notes in elaborate origami shapes and palmed them back and forth like contraband. I still have many of those notes, and my some of my closest friends today are the writers. The interesting thing is that their words haven’t lost importance at all. It would be easy to look back and say “we were so silly,” but what we worried about – our fears, celebrations, observations and our questions – are still so important to who we are today. Even then, we wanted to be loved and accepted. We wanted to be good people and make good choices and have interesting lives.

If we could have written notes to each other while talking on the phone, we probably would have, but instead we would collaborate on stories, write poems about boys we liked and then read them to each other, and design elaborate games, worlds and alternate realities for ourselves. As a young adult home from college, I found some of that stuff in a forgotten trunk. My friend, as serious as I’d ever seen her, said “Burn it.” So, with privacy in mind, I won’t share any real details, but suffice it to say, in a different world, we might have combined D&D with that “Girl Talk Date Line” game and become millionaires.

I’m an only child and I grew up in the country so I was, and still tend to be in my own head a lot. These days, I’m afraid to sleep in my childhood bedroom, because it is too quiet and dark. I typically stay at a hotel when I visit home. But back then, my room was nothing less than a sanctuary and an incubator for the person I would become.

Dance Party USA

In East Texas in the mid-90s, only a few radio stations came in clearly. One was country and one was pop. We were pretty happy with that until we discovered the “alternative rock” station out of Nacogdoches, the college town a few miles away. It was a student-run radio station and it played the best music – The Smiths, New Order, 10000 Maniacs…it was all new to us and we loved every note.

Needless to say, no one played this type of music at the dances we went to (and were quickly becoming too cool for.) So, we made our own fun, and we called it “Dance Party USA”. My older friends had cars and those cars had radios, so we would drive to a kind of small pasture that’s now a park behind our town’s DPS, turn on the radio, and dance to the music we liked.

In retrospect, I guess we are lucky that we didn’t run down the battery in those cars, or get interrupted by people who might hurt us. At that time, what we were doing was one of the safest things that teenage girls could do on a Saturday night, even in the dark in a place where none of our parents knew. Every now and then some guys would join us, but just as often, it was just we three or four, and that was totally fine.

When I think of how the world has changed and how even our hometown has changed, I think back on nights like this and realize they’re probably not possible anymore. It was definitely “of a time.” Even the way that music is consumed is different – who needs to spin the dials searching for a college radio station when you have a whole jukebox on your phone in your pocket, and who needs to cruise around looking for fun when you can make a whole night’s worth of plans without even speaking out loud.

We had one particular friend whose dancing was pure, un-self-conscious joy. When I think of her I often think of Dance Party USA and how I wish we could have all been more like her then, and stayed that way.