My mom came for a short visit a few weekends ago, and brought another stack of family photos. It included these 1940s-era portraits of my grandmother and great-aunt, both of whom I was very close to. Creatively, I thought that the portrait style would work well printed from my round Gelli plate. Personally, I enjoyed making these because it gave me the opportunity to remember my MiMi and Auntie, and think about what their lives may have been like when they posed for these photos and all the hopes and… Read more Print Portraits →
These are the final prints from the third piece in my Pine Curtain Stories project. They feature my father and my aunt, most likely in the 1960s. They’re standing outside my grandmother’s beauty shop, a business addition to their home. My favorite parts of these prints are my aunt’s pink purse and the dog that my dad is holding, a chihuahua named Pinky who lived long enough to emerge from under my grandmother’s couch and glower at me when I was a baby in the 70s. With the styling of… Read more Outside of the Beauty Shop →
More printmaking experiments! These are Posca marker on Dura-lar. It’s a different look than the paint on plexiglass, but same process. This was a nice alternative for a quick visit to my studio when I didn’t have the time or focus to get out my paints/inks or work from a large plate. I still have some extras to add, but in general, I like the direction they’re headed.
“I have been continuously aware that in painting, I am always dealing with… a relational structure. Which in turn makes permission ‘to be abstract’ no problem at all.” – Robert Motherwell This is another plexiglass print based off an old family photo. Pictures don’t do it justice, but I am still comfortable and happy with the idea that the abstraction is a bonus, if not the entire point. With that in mind, when I embellish the pieces (this time with Posca markers) I try to do so using texture or… Read more Relational Abstraction →