Lufkin Rudolph

“Lufkin Rudolph” monotype print by Stephanie Khattak.

Each year for as long as I can remember, the holiday season in Lufkin has included “Rudolph the Red-Nosed Pumping Unit,” modified from oil equipment. It has evolved a little over the years and changed locations a few times, but he’s still pumping along!

This year, Rudolph will be lit on Dec. 5, in Downtown Lufkin. Long may he run, even if he doesn’t get very far!

Coming Soon: New Art For Sale

Abstract Floral “Butterfly Farm.” Monotype Print embellished with Acrylic, Gold Leaf. By Stephanie Khattak.

After a long hiatus, I am reopening my art shop on Etsy October 15! I’ll be exclusively selling monotype prints, including the one above, in a variety of sizes. This art store launch will include ten original pieces, and I’ll do a flash/mini update for Small Business Saturday in November, just in time for the holidays. More regular updates to come in 2021!

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Besties

“Besties, 1980” by Stephanie Khattak. Embellished acrylic monotype.

In rural East Texas, your first best friends are your cousins and your neighbors. And often, your cousin IS your neighbor! In my case, my cousin spent lots of time visiting my grandmother, who lived just one stop sign and few houses away. So, almost a neighbor.⁠

I’m an only child, and people often ask “Weren’t you lonely growing up?” ⁠

Because of my cousin and my neighbor, I really can’t relate to that question. How could I be lonely when one bestie lived at the far end of my driveway and the other was conveniently at all family functions? Plus, they’re older than me by a few years, so I don’t know what it’s like not to have friends like them.

An upside to being related to and living next door to your best friends is that they’re stuck with you for life. Lucky them! And lucky, lucky me.

Homer Church

“Homer United Methodist Church, 1961.” Print and Acrylic Paint, Stephanie Khattak.

For generations of my family in East Texas, life centered around Homer United Methodist Church. It functioned (and still does) as part house of worship, part community hub. Sunday services were of equal importance to potluck suppers, holiday events, and youth group get-togethers as well as volleyball games, dances and other non-religious activities. Regardless of how religious you were or weren’t, whether you were a member or a prospective member, or just there to fellowship – ours was a church that just got everyone together for a good time. It was all part of God’s work.

Those good times bound our community through generations. This print is taken from a photo taken outside the first church building in 1961. In the source photo is my mom and a few of her best friends. She still sees many of them every few weeks at least, and not necessarily at church. Many of my friends and I have the same kind of relationships, which were also cultivated through the church but exist outside its walls. We genuinely liked, and still like each other.

The church sits where the Homer “town square” used to be. So, it has a legacy in East Texas history as a place of excitement and energy. The church seen here was replaced with a more modern building in the later 60s, which is still there. My family lived a few doors down from the church, within walking distance. Or, when I was learning to drive, within driving the riding lawnmower distance!

Art on a Monday

Abstract floral monotype by Stephanie Khattak.

“Art enables us to find ourselves and lose ourselves at the same time.”
― Thomas Merton , No Man Is an Island

It’s Monday in “Studio No-Name,” and I’m still thinking on what to call my creative space. It won’t be Studio No-Name!

The process of naming my studio makes me think of the saying, “you must name it to claim it.” I have struggled with “claiming” my identity as an artist over the years, for all the reasons that many people do. I’m not conventionally educated. It’s not my primary income. I’m just not “there yet.” It doesn’t feel like “work”. But art is art and artists are artists. I think it’s important to take steps to legitimize the work that we do, whether our pieces are hung in galleries, displayed proudly at Mom’s house or decorating our own spaces. I’m trying to be better at claiming my practice, and so should you! (Even if we’ve never met, if you’re an artist, I suspect that you can relate to this.)

With that in mind, earlier today, I renewed my Texas Visual Arts Association membership and made a spreadsheet for places to submit work to in the next few months. This isn’t something I have done before, and I’m excited to try! It’s not an easy season of life to be an artist, especially an emerging artist, but opportunities are still there.


I have started a series of work that will be ready for sale in October. I closed my store at the beginning of the year, but I miss having it as a goal to work toward. The sales are nice, of course, but so is the self-directed goal of making enough work to post.

Because my Pine Curtain project is so specific, those pieces won’t be for sale, at least not right away. So, that frees my mind to switch to different subject matter and processes for a while. The above abstract floral is one of a few smaller works on paper that will be available, and I am also working, for the first time, on some larger pieces!

Art Studio Joy

Desktop view

“We don’t make mistakes, just happy little accidents.”
Bob Ross

There is so much room for JOY in art, something that I too often mentally push to the side, overpowered by the daily details and challenges of being an artist and owning an art-centered business. But, when I step inside my studio, see something amazing at a museum or gallery, or discover a new artist whose work speaks to me, even if I’m low on motivation or inspiration, joy appears.

Recently I discovered a local artist’s blog. They write about their studio time, commissions they are working on, sketchbooks and inspiration. No monetization links or newsletter subscription pop-ups, no “thought leadership…” just a working artist who likes to make art, write about art and share their art. How much more simple could it be? But how compelling it is! As soon as I see that the artist has posted a link to their blog on Twitter, I click to read it. This person is not an art influencer in any sense of the word (and that’s a compliment) but I so love to live vicariously through them. And they have inspired me toward a different perspective.


Writing and art. Thoughts. Ideas. That’s what it is, for me and for you and for everyone who creates online, really. These are your creative treasures, don’t reduce them to “content.” And it’s important to remember that just because you create something doesn’t mean you have to to attach a performance metric to it.

But like many other creatives making their way in this digital world, I find that those are hard habits to break. For me personally, it’s hard to pursue an interest or new project without immediately thinking “can I monetize that?” “Can I build consulting services around it?” Which is great for the business side of my life, but not so much the creative.

At the end of last year, I thought that 2020 would be a “sabbatical year,” and well, you know, LOL to that. I picked a word for the year in March and then just didn’t do anything else. And, it’s fine, mostly. But there are still a few months left in 2020, the world still spins (for now!) and I can still add something positive to my life.


My husband continues to work from home and the kittens still live with us, so I’ve been doing a lot of hopping from room to room with my laptop, phone and reading glasses throughout the workday. One goal I have in the spirit of art bringing joy, is to spend more time in my studio not only as a place to make art, but also just as a place to be; to work and write and enjoy life. It’s small and messy, but it has big windows and a comfy couch, and I should be in here more often, if only because being here makes me happy.

The kittens are too little to be invited in, but my little house panther wants it so badly! He bangs on the door and one by one, pulls down the stack of books I’ve placed in front of it to avoid seeing his paws and face in the crack and feeling guilty. It is like being in the panic room of a horror movie when the goblin is bashing its way in. I do see his paws and I do feel guilty! But too bad, Beans! I’m claiming my space and tuning you out, or putting you in the cat room for a few hours. Your sister, too, because you both cry when we separate you. Sometimes it’s okay to redirect distractions, not to be more productive, but just to be happier.

Panther Paw

I just love art, and it started to feel silly and disconnected for me to approach my personal art, experiences and thoughts as only things to build a business around or market my work through. How about building a joyful, creative life, which is really what we artists and art lovers long to do? Regardless of the subject matter (not all art is joyful, of course) we love our happy little art accidents, the game-changing breakthroughs and successes, the inspirational discoveries we happen upon and the communities that we work in. Why undermine those joys just because we also want to support ourselves?


Going back to my new favorite art blog; the artist recently named their studio, and I’m inspired to do the same. It’s a fun thought exercise, and really helps add to the sense of place. I haven’t decided on a name yet. In my very early days, I was MollyPop Studios (RIP). I’m not sure that fits anymore.

For the next little while, as I create and read and think, I think it will be fun to consider, not necessarily in regards to a business name attached to the art itself, but as the physical place where I work from. A word or phrase that resonates with me as an artist. A place that feels like home.

Print Portraits

Acrylic monotype print in progress by Stephanie Khattak
Acrylic monotype print in progress by Stephanie Khattak

My mom came for a short visit a few weekends ago, and brought another stack of family photos. It included these 1940s-era portraits of my grandmother and great-aunt, both of whom I was very close to.

Creatively, I thought that the portrait style would work well printed from my round Gelli plate. Personally, I enjoyed making these because it gave me the opportunity to remember my MiMi and Auntie, and think about what their lives may have been like when they posed for these photos and all the hopes and dreams they had for themselves at that time. My Auntie outlived my MiMi by 32 years, but I think they both had really good lives that they enjoyed and were proud of. That’s comforting to know as I am painting and printing their portraits and thinking of them, and still missing them, too.