“I have been continuously aware that in painting, I am always dealing with… a relational structure. Which in turn makes permission ‘to be abstract’ no problem at all.”
– Robert Motherwell
This is another plexiglass print based off an old family photo. Pictures don’t do it justice, but I am still comfortable and happy with the idea that the abstraction is a bonus, if not the entire point. With that in mind, when I embellish the pieces (this time with Posca markers) I try to do so using texture or pattern versus filling in the blank spots or going over the lines to make them look more real.
I like this Motherwell quote and feel that it does a good job of summarizing what I’m doing with this art project. Relational structure vs. a copy or exact representation. In this print, for instance, the way the two figures relate to each other and the lilac sky’s relationship to the gold grass are the important parts of the work. The colors invoke not only the vintage photograph source material, but also a very specific type of “magic hour” that you get in East Texas, when the light is warm, soft and golden. The figures, my mother and uncle, are dressed up and posed in their Sunday best, the clothing and details are abstract, but I believe their relationship to each other and the moment is captured pretty well. (If I say so myself, haha!)