Establish

“Slumgullion (The Venerate Outpost)” Philbrook Museum, Tulsa, OK.

Late last year, I posted about taking a sabbatical year” to focus on my personal and professional creative work. Whether you call it Murphy’s Law or the universe saying “hold my beer,” my good intentions left the rails almost immediately.

In January alone the cat died, James’ aunt died, James spent a week in Las Vegas with his work and I lost what felt like an entire day in a suburban Chico’s while my mom tried on various “perfect black pants” that all looked exactly the same. We went to East Texas and drove to the beach for a day with my parents. I worked, kept up the house, saw friends when I could, read a bit, watched some TV and then it was February and time to plan my first art tour. And so on, and so on. I felt like I inhaled at the end of December and exhaled sometime in the last week or so.

Great sabbatical mindset, right?

But some things have gone well. I use social media and my mobile devices less and less, which feels better and better. I still don’t pick up my phone or iPad until after I have had coffee and read a bit. That has been nice, and as a bonus, helps navigate and give perspective to the wild news cycles.

I also had time to think about a word for the year, or for the next ten months rather, since it was almost March by the time I got around to it. “Establish.”

Last year’s word was “Forward.” At the start of 2019 I was sitting with a lot of uncertainty over things that weren’t moving as they should, proverbial centers that I knew simply would not hold. So in the trend of picking a theme word for the year, “Forward” was a good touchstone, an idea to make decisions around, and a reminder to take risks and just make the decisions I needed to be somewhere other than I was, and get back to liking my life.

In my last corporate job, I was responsible for building IT processes and setting global business priorities. This involved taking a great deal of data and qualitative input from our markets around the world, accounting for risks and uncertainties, and organizing that information into policies that our entire global ecosystem would agree to participate in and abide by for tasks like bug resolution, feature implementation and new initiatives requests. It was extremely difficult, and I say this as someone who also had to manage a complex, high stakes, multi-vendor, multi-time zone code update around the devaluation of the Belarusian ruble. (Understand why I work in art now? Haha.)

I loved discovering, analyzing and organizing all the information, but some of the other details…not so much.

But I am a framework person, and frameworks help my creative and personal life just as much as they helped my big, messy corporate life. They keep information from overwhelming me and also build in things to look forward to. I can’t predict what positive results will be, but I truly believe that by following healthy habits, positive results will come. And that is exciting.

2019 was so “Forward” that it blew past the finish line and into 2020, I guess. But after a well-earned few weeks to rest and reset, better late than never, I am ready to “Establish.”

Where does this fit into the idea of a sabbatical year? Establishing a solid foundation directly supports the creative, personal and professional goals that I have for 2020. Establishing gives me a concrete, manageable idea to focus on, and a consistent, larger goal when individual priorities compete or become confusing. It is also a logical next step from “Forward.” While I wouldn’t want to pick 2021’s word so early, I am hoping that I’m preparing myself for years to come in which I can launch.

Gallerinas

In my other life, I have an art blog and work in the art sector. This means that I have spent the past few years being practically submerged in the art world, learning about it and how people find, engage with and collect art. I don’t really mix the two streams because I am not looking to be a professional artist in that respect. I am happy to work to help others engage with and discover art, and keep mine just for fun with the occasional transaction.

With that said, sometimes the inspiration does overlap. Particularly when I see a beautiful piece hung on the wall and think how it might work in a different way.

These thoughts have inspired what I call the “Gallerinas.” They’re mixed-media pieces that incorporate fine art pieces as collage, either repurposed or just reused. I take the images from magazines, ads or promotional brochures and cut them up to form new shapes.

Here’s the first “Gallerina.” If you look closely, her dress is a collage of David Park paintings. I saw Park’s retrospective at the Modern Art Museum of Fort Worth earlier this summer and loved it. (It’s up until Sept. 22 if you’re near D/FW or can get here.)

“Gallerina 01” by Stephanie Khattak. Collage, acrylic, gold ink and gold leaf on canvas board.

Practice & Patchwork

Collage Supplies

“You have to play a long time to be able to play like yourself.” – Miles Davis

Miles Davis was a musician, but his quote can be applied to any creative endeavor. It takes a while to get the basics right before a real sense of style and individuality comes through.

I’ve been a “practicing” artist coming up on three years in July. That seems like a long time, but I’ve needed every one of those years to evolve, first looking to others for inspiration and learning different techniques, tools and processes, and then using that knowledge to communicate my own message.

When I started writing Pine Curtain Stories, I identified a story I wanted to tell. The more I write it, the more I want to refine my art to support those stories and say exactly what I want to with the images and not just with the words. So, I’ve started taking more time with my art, both physical (time in the studio) and mental (time with my thoughts and intentions.) It makes for a longer road, but rather than being disheartening, it’s actually very exciting.

Earlier this week, I dug into my supply box and found all sorts of things I used in the beginning of this journey and hadn’t found a way to incorporate lately. I had a great time with it all, and I’m so pleased that nothing has gone to waste.

I’m incorporating more collage into my work, and I’m happy with the results. I’ve used packing tape collages, tape transfer methods and plain-old cut paper and glue/gloss gel methods to achieve the look I want. As a bonus, it’s also motivated me to find new resources, so on Friday I took myself on a field trip to Paper Arts and disappeared into its wonderful stacks for a half-hour or so.

Here’s my first “patchwork” piece. I’m happy with the way it turned out, and look forward to creating more.